How I Burned Bright, Broke Down, and Made It to the Barrier Anyway

It’s a wrap. 2024 is done and over with. And while this blog doesn’t reflect it, it’s been a very metal year for me.
Only 14 articles made it onto Izzy Izbourne, which feels a bit like neglect—but when I went through my calendar and photo roll today, I was actually surprised how much I managed to fit into one year.
The Year Begins With Type O (Of Course)
So, for tradition’s sake, let’s start with Spotify Wrapped: unsurprisingly, Type O Negative reigned supreme. Again. Agalloch was right behind them—my safety blankets. My default mood. The stuff I listen to when I don’t want to choose what to listen to.
Cattle Decapitation in third place gave me pause—but then again, Terrasite was a great album, and I really did listen to it a lot. Finntroll and Strigampire made the list mostly due to my obsessive research phases. No regrets. Mostly.

Stormbringer and the Obsession Era
January 1st: I sewed on my Type O patch. Then I got my nostril pierced—finally. And then, on a bit of a whim, I answered a job ad from Stormbringer Magazine. They needed editors. I figured: what the hell.
They said yes.
That one little “what the hell” kicked off everything. In February, I got my first three metal albums to review. I might’ve—slightly overdone it. Strigampire’s All To Dominate was my very first and I listened to it a gazillion times, determined to get it right.
I wrote six reviews in February. I have never done that again.
Not once.
But I don’t half-ass things. Ever.
Which is how I ended up requesting press accreditation for Skálmöld in Bremen in March. I already had tickets. I just thought, “Photography? That sounds like a reasonable new hobby.” Somehow, it was.
That night is immortalised here on the blog. It defined something.
The pictures with Björgvin and Jón Geir are pinned next to my laptop. Every time I look at them, I remember exactly how exhilarated I felt. I was too nervous to say anything coherent—but meeting them was one of my top moments of 2024.
Concerts, Chaos, and a Camera Strap
March wasn’t done with me.
I took the kids to Heavysaurus. (They didn’t love it as much as I did.)
I went to see Cattle Decapitation in Hamburg—my first ever death metal concert.
I never blogged about that night. I probably should. It was… an experience.
Unforgettable, but also a giant, guttural NOPE. I made peace that night with the fact that death metal, and everything that comes with it, is just not my cup of tea.
April brought Finntroll back into my life. Bremen again.
That show lives in my bones.
I actually managed to take photos I liked. The atmosphere was magic. I left that night a very happy bunny.
In between gigs, I was reviewing albums—some in genres I’d never touched before, some I struggled to wrap my head around. It’s still hardest for me to write about music I don’t love.
I want to understand what the artist meant. I want to do the work. But sometimes, it just… doesn’t land. And sometimes, the music just isn’t that good.
Gigs, Guilt, and Growing Pains
Meanwhile, life wasn’t exactly quiet.
My cat got injured—twice. Vet bills were brutal.
My employer went insolvent.
We demolished the old playhouse in the garden.
My daughter finished primary school.
I turned 39 and went to my 20-year class reunion.
We went to Corfu. I brought metal history books. Read by the pool.
(Discovered I already knew most of it. So hey, this blog has taught me something.)
I started my first Type O tattoo in July.
Then, with the outline still healing, I baked myself at Klash Of The Ruhrpott in 33° heat with no shade, and learned that sometimes even Kreator and Sodom can’t redeem heatstroke.
Festivals and First Times
August was Wacken. Finally. A whole week.
The music was great—but the people were better.
Chris, Marie, Jan-Hendrik: you carried me. Literally and emotionally. Thank you for putting up with my moods, my neuroses, and my glucose levels. I wouldn’t do another festival without you.
Three weeks later: Wini Macken in Handeloh.
My first time there—and I helped co-organise it.
It was a joy. The prep, the chaos, the festival itself.
We’re already planning Wini Macken 2025 and I can’t wait.
Burnout, But Make It Metal
After Wacken, life turned again.
I quit my job at the end of August.
Started a new one in September.
It was—a lot. Emotionally draining. Too much, really.
But Prophecy Fest happened. And it held me together.
I never wrote about it here—only filed my live reports for Stormbringer—but looking back, those three days were healing.
The artists. The caves. The quiet. The atmosphere.
The Alcest and Nicolas Horvath performance moved me to tears. I’ll carry that moment forever.
The Year Ends with Family, Flashbulbs, and Fantasies
The burnout lingered. So did job stress.
Writing suffered. I felt disconnected.
But—I got my Nikon D500. My camera.
Shot Uada in Hamburg. It worked. It felt right. I’m walking into the pit with a little more confidence now.
Then my parents started showing up in the background.
My mum came to see The 69 Eyes with me.
The concert was meh. The experience? Not.
She’s hooked now. Agalloch. Alcest. Even Type O. (Still working on Sólstafir.)
Finished the year with In Extremo, Korpiklaani and Rauhbein in Bremen. Then the big finale: Kreator, Anthrax, Testament—with full press accreditation.
Guest list tickets.
I still can’t believe it.
I started this blog three years ago with no clue.
No plan. No knowledge. No camera.
And I ended 2024 meeting legends. On assignment.
That’s wild.
So Now What?
Writing all this out… I’m conflicted.
I’m proud. But I also know most people aren’t reading this.
This takes time. And energy. And sleep. And time with my family.
And I’m working more now. The kids aren’t getting easier. And neither am I.
I don’t know what 2025 will bring.
So far, my only metal goal is Fortress Festival in Scarborough—to see Agalloch. A day before I turn 40. It’ll be a gift from everyone around me.
Once again, my hobby will infringe on my kids, my partner, my job, my parents.
I hope it’s worth it.
I think it will be.
I’m still here. I’m still writing.
Just bear with me.